I love teaching how to streamline the production of artist’s books, but rarely get to teach this class because many book artists don’t make multiples. However, the seven book artists who attended the my production class at the Creative Arts Workshop in New Haven, Connecticut, were primed for this workshop–most had a lot of bookmaking experience on which to draw.
We produced an accordion book involving twelve various additions and reproduction techniques, and at the same time made jigs and templates for making more copies. Sadly, we only were able to produce one copy within the class time, but I will reorganize future classes to allow more time for multiples. The class also involved discussions on why to produce multiples, how many to produce, how to price the resulting work, and how to organize one’s workspace to maximize your efforts. Everyone was pleased to walk away with a sample production and lots of information on how to proceed with their bookmaking editions.