Tag Archives: Carol Barton

In-The-Round Bookmaking at University of the Arts

U Arts student in Carol Barton's carousel book classU Arts student in Carol Barton's carousel book class

My final class of the semester at the University of the Arts involved two classes covering the construction and thematic possibilities involved in creating a carousel book. Students spent one session learning a traditional method of folding three accordion books. These were then tabbed together to create this three-dimensional book form which can be read lengthwise or pulled into a circle (hence the name). Students then began to compose text and imagery into their books during the second class. Most finished a couple pages plan to finish the entire book by their final critique with Frances Osugi.

UArts Class, spring 2015

Production Tricks and Techniques in New Haven

Creative Arts Workshop, student with accordion bookCreative Arts Workshop, student with accordion book

I love teaching how to streamline the production of artist’s books, but rarely get to teach this class because many book artists don’t make multiples. However, the seven book artists who attended the my production class at the Creative Arts Workshop in New Haven, Connecticut, were primed for this workshop–most had a lot of bookmaking experience on which to draw.

We produced an accordion book involving twelve various additions and reproduction techniques, and at the same time made jigs and templates for making more copies. Sadly, we only were able to produce one copy within the class time, but I will reorganize future classes to allow more time for multiples. The class also involved discussions on why to produce multiples, how many to produce, how to price the resulting work, and how to organize one’s workspace to maximize your efforts. Everyone was pleased to walk away with a sample production and lots of information on how to proceed with their bookmaking editions.

Creative Arts Workshop, New Haven, CT

Potomac Fibers Group, a Pop-Up Day

Potomac Fibers Group pop-up class photo

Many people don’t realize that fiber arts involve paper, too. There is a long history of papers created from all types of plant fibers, from flax to cotton to Japanese gampi and kozo (mulberry). Thus, I was not surprised to get an email from the Potomac Fibers Group in Maryland inviting me to give a presentation and class on paper engineering. This past Saturday was a full day. I gave a lecture on the history of pop-ups in the morning, and a mini class session for 21 students in the afternoon. Participants are shown here, smiling at the end of the day with completed pop-ups in hand. Thanks to everyone who attended.

Santa Fe Book Arts Group, New Mexico

Carousel Book Class, Santa Fe Book Arts GroupThis weekend involved lots of folding, folding, folding, as members of the Santa Fe Book Arts Group produced sets of accordion strips to be used in the creation of carousel books. The carousel is a multilayered accordion book that challenges artists to design three dimensionally. In the first day of the workshop, I taught participants how to construct a basic carousel book, and the second day was an open studio in which everyone jumped in and started creating the artwork for their pieces. With 15 students in the class, a wide variety of themes emerged–some literary, some personal. Here’s a view of some of the results.

Carousel book, Santa Fe Book Arts Group workshop by Carol BartonSanta Fe workshop, carousel book 1
Carousel book, Santa Fe Book Arts Group workshop by Carol Barton

Studio at Contemporary Craft, Pittsburgh, PA

Studio at Contemporary Craft, Pittsburgh, PA

Four full days of classes at Pittsburgh’s Studio at Contemporary Craft yielded lots of creative projects, from architectural pop-ups and spirals to carousel and tunnel books. Two days were devoted exclusively to pop-up constructions, and eight students worked their way through numerous structures, from simple cut-and-fold pop-ups to non-adhesive props and V-folds. The next class was a two-day workshop, one day devoted to carousel books and one to tunnel books. Everyone left with finished models of both structures. Aside from that, I had fun exploring Pittsburgh’s downtown strip full of ethnic food markets and specialty boutiques. Thanks to Leslie Wright for being such an enthusiastic and wonderful host!

Student in Carol Barton's pop-up classPop-up student, SCC, Pittsburgh

End of Semester at the Corcoran

Corcoran graduate Paper Engineering Class pop-up photo, instructor Carol Barton
The spring semester ended with a popped-up class portrait in my paper engineering course at the Corcoran College of Art + Design  in Washington, D.C.  Students have completed their travel pop-up assignment and are off for the summer, some graduating, some with jobs and other projects in the works. Here are photos of  their paper-engineered travel scenes, with dreams of traveling the world.
Angkor Wat  by Jihae KwonTaipei by Julie Shea
Venice by Magdalena CorderoHawaii by Krista Sharp copy
Florence by Susanne AllenIceland by Julie Garcia copy

Columbo by Fatima Elgarch

Philadelphia and the University of the Arts

University of the Arts, Anderson Hall, PhiladelphiaStudent at University of the Arts, Philadelphia

For the past two Mondays I traveled to Philadelphia to teach a special pop-up session for the students in Alice Austin’s book arts class at the University of the Arts. Despite bad weather, students showed up to try their hand at paper engineering. We made a series of models–pop-up platforms, props, V-folds, and other forms–which students can later use within the book formats Alice demonstrates over the course of the semester. I had a lot of fun with the students, and also enjoyed seeing my Philadelphia friends, Patty Smith, Mary Phelan, Susan Vigeurs, Sarah Van Keuren, and Lori Spencer.

Student in Paper Engineering class, University of the Arts, Philadelphia