I love teaching how to streamline the production of artist’s books, but rarely get to teach this class because many book artists don’t make multiples. However, the seven book artists who attended the my production class at the Creative Arts Workshop in New Haven, Connecticut, were primed for this workshop–most had a lot of bookmaking experience on which to draw.
We produced an accordion book involving twelve various additions and reproduction techniques, and at the same time made jigs and templates for making more copies. Sadly, we only were able to produce one copy within the class time, but I will reorganize future classes to allow more time for multiples. The class also involved discussions on why to produce multiples, how many to produce, how to price the resulting work, and how to organize one’s workspace to maximize your efforts. Everyone was pleased to walk away with a sample production and lots of information on how to proceed with their bookmaking editions.
Many people don’t realize that fiber arts involve paper, too. There is a long history of papers created from all types of plant fibers, from flax to cotton to Japanese gampi and kozo (mulberry). Thus, I was not surprised to get an email from the Potomac Fibers Group in Maryland inviting me to give a presentation and class on paper engineering. This past Saturday was a full day. I gave a lecture on the history of pop-ups in the morning, and a mini class session for 21 students in the afternoon. Participants are shown here, smiling at the end of the day with completed pop-ups in hand. Thanks to everyone who attended.
Spending two weeks in Venice, Italy, is my idea of a heavenly vacation. Plus, among the many museum and palace collections of fine art we found two intriguing contemporary shows on exhibit. One was the work of Russian artist Grisha Bruskin whose large-scale tapestry project combined multi-media interactive displays with the tapestry itself. His enigmatic work involves mysterious alphabets and strangely beautiful figures evoking saints and sinners. He equates text with texture and weaving in a fascinating view of the mysterious universe.
Another show we happened upon just off St. Marks Square was a retrospective of the Fluxus artist’s book movement. Works ranging from those of Dieter Roth, John Cage, Yoko Ono and many others graced five rooms in a small gallery space, while a show of contemporary book artists working in the Fluxus tradition was located across the canals close to where we were staying in L’Acadademia.
Along with the art, we had great weather and delicious food the whole time. It was a memorable break….